Working method Dreyer is known for his meticulous research and his eye for detail.

Dreyer was born illegitimate in Copenhagen, Denmark. Denmark was by now under Nazi occupation, and his Day of Wrath had as its theme the paranoia surrounding witch hunts in the seventeenth century in a strongly theocratic culture.

Dreyer made two documentaries in the more than a decade before his next full-length feature film, in 1955, Ordet (The Word), based on the play of the same name by Kaj Munk. Dreyer used private finance from Baron Nicolas de Gunzburg to make his next film as the Danish film industry was in financial ruin. Dreyer is regarded by many critics and filmmakers as one of the greatest directors in the history of cinema.[2][3][4][5][6]. The movie contains many indelible images, such as the hero, played by de Gunzburg (under the screen name Julian West), dreaming of his own burial and the animal blood lust on the face of one of the sisters as she suffers under the vampire's spell. This page was last edited on 11 September 2020, at 19:25. Wilson Company, 1987. In 1928 he made his first classic film, The Passion of Joan of Arc.

It is the third of Dreyer's five great films and Bordwell (in The Films of Carl-Theodor Dreyer) observes that "it is a moment of equilibrium in Dreyer's career … but not in any simple way." {{::mainImage.info.license.name || 'Unknown'}}, {{current.info.license.usageTerms || current.info.license.name || current.info.license.detected || 'Unknown'}}, Uploaded by: {{current.info.uploadUser}} on {{current.info.uploadDate | date:'mediumDate'}}. As a young man, Dreyer worked as a journalist, but he eventually joined the film industry as a writer of title cards for silent films and subsequently of screenplays. Born out of wedlock, Dreyer was adopted, Dreyer in his youth was a real daredevil.
The documentary Carl Th.

Carl Th. It frequently appears on Sight & Sound's lists of the greatest films ever made, and in 2012's poll it was voted the 9th best film ever made by film critics and 37th by film directors.
Born Copenhagen, 3 February 1889, died 20 March 1968. Though a manuscript was written (published in 1968) the unstable economic conditions and Dreyer's own demands of realism together with his switching engagement let it remain a dream. He was named after his adoptive father, but in accordance with Danish practice, there is no "Senior" or "Junior" added to their names to distinguish them from each other.

The inventive film is a sober, intelligent drama detailing the last weeks in the…. Vampyr (1932), filmed in France, is based on a story of vampirism by Sheridan Le Fanu; Vredens dag (1943; Day of Wrath) is a drama of witch-hunting and religious persecution, set in 17th-century Denmark, that won international recognition and substantially contributed to the revival of the Danish cinema; Tvä människor (1945; Two People); and Ordet (1955; The Word), winner of the Grand Prize at the Venice Film Festival, dramatizes the complex relationship between social good and spiritual good in an ambiguous story of a hardworking, down-to-earth farm family who are burdened by the younger son’s insane delusion that he is Christ. Biography - Extended. In his lifetime he was recognized as being a fanatical perfectionist amongst producers, and thus difficult to work with. Dreyer, was a Danish film director.

Self. Born out of wedlock, Dreyer was adopted. Dreyer took over from Hilmar Clausen as manager of the Dagmar Teateret cinema on Jernbanegade, Copenhagen, he also got his chief assistant, Mrs Inga Jørgensen. Based on the play "Attentat" by W.O. Vampyr (German: Vampyr – Der Traum des Allan Gray, lit. Though not a prolific director, or one whose films were consistently popular with critics nor the public, Carl Theodor Dreyer is considered one of the greatest directors in Danish cinema.

Dreyer’s last film Gertrud (1964), is a subtle character study of a woman to whom love is all important. Not just because it is carefully stitched together from second-hand accounts and from silent tales told by the handiwork of tailors. "[7] But he was a highly intelligent school student, who left home and formal education at the age of sixteen. His use of compact, almost Spartan storylines combined with austere visuals and quick, close-focus cinematography has had a substantial influence on such later directors as Ingmar Bergman and Robert Bresson.

We use cookies to ensure that we give you the best experience on our website. Dreyer, Carl Theodor Dreyer - Student Encyclopedia (Ages 11 and up). Biography.

Married Ebba Larsen (1888-1977) in 1911.

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