Edgbaston I would not recommend it, but unfortunately this is far from being an issue only with this journal. Editorial evaluation should take 4 weeks tops according to their website. December 2011 offers an examination of Giorgio Vasari’s use of epitaphs in Lives (5-MWG/1), and a discussion of the historicist-modernist tensions present in the scholar’s treatment of artistic ‘progress’ (5-IV/1). Alternate issues of this bi-annual publication are guest-edited by scholars specialising in a ‘subfield’, or particularly under-studied area, of art history. Avoid. Oddly they want two hard copies ahead of the first tier assessment. Rachel Coombes gained her MA in History of Art (with Distinction) from the University of Birmingham, in September 2014.

Thereafter it took another 1.5 years to appear in print. The journal’s latest issue includes a sub-theme questioning the relevance of the decorative arts to the discipline of art history (11/CMCL1, 11/EJC1, 11/DLK1). The majority of papers published in the journal re-address modes of art historical practice by opening up discussion to include other scholarly and cultural disciplines. My experience was good, quick turnaround and extensive reviews. Excellent. Comparative Literature, Cultural Studies and Theory Journals, Africana and Postcolonial Studies Journals, Journal of the Society of Architectural Historians, http://humanitiesjournals.wikia.com/wiki/Film_Journals#Grey_Room, https://humanitiesjournals.fandom.com/wiki/Art_History_and_Visual_Culture_Studies_Journals?oldid=9207. From there, it took about a year to be published in print. Create a free website or blog at WordPress.com. An interesting attempt to reconcile the positivism of Riegl, the formalism of Wölfflin and the psychologism of Worringer within a very general framework of shared aesthetic beliefs, offers a challenging read (9/VI1). (Updated) The journal staff is extremely professional and responsive. Bad communication among members of the editorial board. Waited 9 months for acceptance: second reviewer had bailed, not journal's fault, but a replacement was quickly secured. Using Visual Journals for Art History. An interest in cross-cultural historiography is reflected in certain studies – for example, in an investigation of the work of German art historians working in the US during the earliest days of art history as a scholarly discipline (2-TDK/1). Established methodological constructs, derived loosely from the work of art historians from Vasari to Panofsky, are questioned as to their relevance to the increasingly interdisciplinary field of art history.

Her MA dissertation drew upon Wagnerian ideas relating to the Symbolist work of Maurice Denis.

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