http://www.safemusic.co.uk/12993/night-in-tunisia, https://fr.wikipedia.org/w/index.php?title=A_Night_in_Tunisia&oldid=156952188, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. The complex ostinato bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. "A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band.

Am7 5 D7 9 Gm Gm7 C7 Gm7 5 C7 9 F6 Em7 5 A7 5 D.S. al Coda Dm7 Coda Em7 5 E 7( 11) Dm7 G7( 11) Gm( 7) Gm7 G 7 9 FMaj7 Em7 5 A7 9 (Med. Thème The liner notes say, "The Texas department of sanitation can take a low bow.". This article is about the Dizzy Gillespie song. Le thème A est basé sur une tourne de basse qui alterne entre 2 accords : Eb7 et Dm6. “A night in Tunisia” belongs to that movement: its rhythm is Afro-Cuban, its harmonies and its melody have something unsettling and exotic which can evoke Orient… or Tunisia. "A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band.

[2] Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". Nous verrons comment analyser ces accords et quoi jouer dessus.

Dizzy Gillespie l'a initialement interprété au Kelly's Stable à New York au début des années 1940 lors de sa collaboration avec Benny Carter, Gillespie l'a ensuite joué avec le saxophoniste Charlie Parker en 1946. It is also known as "Interlude". A Night in Tunisia a été repris dans de nombreux styles par de très nombreux groupes et musiciens : Un article de Wikipédia, l'encyclopédie libre. The same Tunisia which represented, during the war, the arrival on the African ground, continent of origin of Black Americans.

1, Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie.
He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. Vous pouvez partager vos connaissances en l’améliorant (comment ?)

Une de ses spécifité qui le rend si intéressant est le passage de binaire à swing sur le pont. [3] "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". On the album A Night at Birdland Vol. It has become a jazz standard. Afro) A B 1 A Night in Tunisia Dizzy Gillespie The audience laughs, but Blakey responds, "Seriously." La dernière modification de cette page a été faite le 22 février 2019 à 11:21.

For other uses, see, Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie, Oscar Peterson and the Trumpet Kings – Jousts, The Trumpet Summit Meets the Oscar Peterson Big 4, An Electrifying Evening with the Dizzy Gillespie Quintet, Dizzy Gillespie and the Double Six of Paris, Dizzy Gillespie and the Mitchell Ruff Duo in Concert, https://en.wikipedia.org/w/index.php?title=A_Night_in_Tunisia&oldid=973641947, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 August 2020, at 10:53. selon les recommandations des projets correspondants. E 7 Dm7 E 7 Dm7 E 7 Dm7 Em7 5 A7 5 To Coda Dm7 1.

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