It appealed to me because it is a short, simple poem that still has a very memorable theme. The poem ‘So we’ll go no more a-roving’ by George Byron centers around the English Romantic ideas of nature to represent the divine as well as the reviving of devalued imagination. Byron’s poem was included as part of a personal letter sent to his unwell friend, Thomas Moore, in which Byron claims he suffers from a different kind of sickness.     Sae late into the night, For the sword outwears its sheath, And the soul wears out the breast, And the heart must pause to breathe, And love itself have rest. Lastly, this poem has allusions to a refrain in the Scottish song. So, we’ll go no more a roving So late into the night, Though the heart be still as loving, And the moon be still as bright. For the sword outwears its sheath, Or, like the brontosaurus, it never existed. At this point in his life, Byron had been unfaithful to his wife, who left him, taking their young daughter with her. He was an English poet and an influential figure in the Romantic movement. So we'll go no more a roving Though the night was made for loving, Though the night was made for loving, Housman, So We'll Go No More a Roving ... Lord Byron (George Gordon), Song of the Ungirt Runners … Charles Hamilton Sorley. Yet we'll go no more a roving Moore published the poem in 1830 as part of Letters and Journals of Lord Byron. "So, we'll go no more a roving" is a poem, written by (George Gordon) Lord Byron (1788–1824), and included in a letter to Thomas Moore on 28 February 1817. "So, we'll go no more a roving" is a poem, written by (George Gordon) Lord Byron (1788–1824), and included in a letter to Thomas Moore on 28 February 1817. By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13.     And the day returns too soon, The Carnival – that is, the latter part of it, and sitting up late o’… Moore published the poem in 1830 as part of Letters and Journals of Lord Byron. Byron wrote the poem at the age of twenty-nine. Byron prefaced the poem with a few words: ‘At present, I am on the invalid regimen myself. It evocatively describes what the youth at that time wanted to do something different. The poem is also featured in John Wyndham's post-apocalyptic novel, The Day of the Triffids, where it occurs when a blinded pianist commits suicide. It was also recorded by Joan Baez on her 1964 Joan Baez/5 album, and by Mike Westbrook on his 1998 The Orchestra of Smith's Academy album. Lord Byron (1788-1824) sent his poem ‘So, we'll go no more a roving’ to his friend Thomas Moore in a letter of 1817. Though I did not dissipate much upon the whole, yet I find 'the sword wearing out the scabbard,' though I have just turned the corner of twenty-nine.".

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