4), S. 139/4 (LW A172/4), Feux-follets, etude for piano in B flat major (Transcendental Etude No. 12), S. 139/12 (LW A172/12). After a short ad libitum cadenza, the main theme is presented in octaves accompanied by thirds in the center of the keyboard, giving the impression of a horse galloping in a cloud of dust. 5), S. 139/5 (LW A172/5), Vision, etude for piano in G minor (Transcendental Etude No. (transl. The theme returns immediately this time with a thinner texture. Liszt indicates a rather odd fingering: the fast successive thirds in the beginning two sections should be played only with the index and fourth finger, alternating hands every two intervals. Grandes Etudes Alt ernative. IFL 147 Movements/Sections Mov'ts/Sec's: 12 pieces Presto (C major) Molto vivace (A minor) Poco adagio (F major) Allegro patetico (D minor) Egualmente (B ♭ major) Wide jumps in the beginning span about three octaves in the right hand. 1), S. 139/1 (LW A172/1), Fusées, etude for piano in A minor (Transcendental Etude No.

Finally, a grandiose finale represents Liszt's interpretation of the last verse of the poem: "il tombe, et se relève roi !" The ending involves a difficult section of octave jumps in the right hand spanning three octaves. However, this fingering is given for specific purposes; it makes the consecutive thirds sound more like a horse by preventing legato and expressive playing and builds strength in the second and fourth fingers. Transcendental Étude No. An earlier version of this piece was published under the same name in 1840 (S.138). 10), S. 139/10 (LW A172/10), Harmonies du soir, for piano (Transcendental Etude No. No. 11), S. 139/11 (LW A172/11), Chasse-neige, etude for piano in D flat major (Transcendental Etude No. 8 in C minor "Wilde Jagd" (Wild Hunt) is the eighth étude in the twelve Transcendental Études by Franz Liszt. Preludio, etude for piano in C major (Transcendental Etude No. The 1837 version of this piece is in sonata form, with a first subject in C minor, second subject in E♭ major, and a recapitulation of the first subject. 2), S. 139/2 (LW A172/2), Paysage, etude for piano in F major (Transcendental Etude No. When actually played at the original speed that Liszt indicated ("Presto furioso", or fast and furious; at around ​4 1⁄2 minutes), the piece quickly becomes formidable. Franz Liszt's Transcendental Étude No. Liszt removed the final recapitulation of the first subject in the 1851 version of the piece, along with an extended bravura passage preceding it. 2018 : 20 January : Sheng Cai : n/a : YouTube The original theme makes a more recognizable return in the "Animato" yet this time it is much more discreet and quiet, alluding to the horse's waning physical condition.

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