Trap doors and lifts (or “seri”) were incorporated in Kabuki, both for changes of scene and for surprise entrances and exits. “Furiotoshi” was first introduced to the Kabuki theatre in the late 18th century, as sophistication of the scenic effects on stage advanced steadily over the years. // ]]> The Kabuki theatre is well known for its use of various stage effects, due to its fondness for spectacle. History of Kabuki Theatre, Read Next Topic: A “kurogo” goal is to be “invisible” and as inconspicuous as possible, who helps Kabuki actors, and carry out various stage duties. However, in the Kanbun era (1660s), the theatre began stringing together two or three scenes into "continuing plays" (続き狂言), thereby taking on the character of actual theatre, where it was necessary to develop sets and the pull curtain in order to change sets between scenes. Photo Credit: Jikabuki Project. Photo credits and links to the source material are given where applicable.

If you are a copyright holder for any of the images and do not want your image used in this resource site, please contact us at info(a)illusionbookstore.com and we will remove the image within 24 hours. Then, the Edo kabuki playwright Nakamura Denshichi came up with a number of extraordinary devices, such as the wheeled pull sets (hikidōgu) and the roll-out platform (hikidai). There are various types of curtains being employed in a typical Kabuki theatre and each has distinct uses to create different theatrical and dramatic effects: Check out the video below to see a couple of uses of curtains in a traditional Kabuki theatre performance: The drawing of the main curtain can be seen at the 4.32min mark and the Kabuki Drop can be seen at the 5.30min mark.

The pole is suspended, using rope over the stage, parallel to the stage front. The hundred years between the Kyoho era (1700) and the Kansei era (1800) are the most important for the development of kabuki as a theatre. Theatre Prints and Illustrations / 演劇書 & 芝居絵. During this age, many other techniques were devised one after another, including the sets that come up on lifts (zeri age せり上げ), diagonally rising lifts (naname zeri age), overturning sets (gandō gaeshi), flipping flats (dengaku gaeshi) and others. Stage-set curtains (or “Dogumaku”) are scenery curtains, where actual scenery such as mountain, waves, and wall are painted on. KABUKI is characterized by a method of communication using the exaggerated performance styles of Kata and Mie. In the audience, there was a courtesan’ section where people of all classes could mingle and interact freely. The revolving stage was first used in the winter of Horeki 8 (1758) at the Osakakado Theatre for the performance of Sanjuseki motome mesume.

The appearance of the hanamichi passageway was a milestone in the kabuki theatre. Colorful stage design, ravishing costumes and Kumadori, the unique makeup of KABUKI, all contribute to the lively atmosphere of the act. Read Previous Topic:

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