Late 1930's Thicker Gibson Logo. In general, higher model numbers meant more binding and ornament. Serial number records exist for instruments built before 1975 and after 1980. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. I am the third owner, the previous owner researched it and, based on the serial number, headstock design and inlays declares it to be a 1976 Gibson RB 250 MASTERTONE model with the 20 hole metal tone ring. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. Frets refers to the number of frets that are clear of the body. Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. side of the top of the peghead (see last set of pictures below). LoPrinzi Guitars most from Plainsboro New Jersey. The following versions evolved quickly to 14 frets clear of the body. the bins that were used to move instruments from . CUSTOMER SERVICE. The following numbers are the earliest known serial number for the year listed. The necks and heels were rounder. Deering. Free or royalty-free photos and images. The standard early Gibson A models had a soft V shaped neck. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. of their later banjos had elite tailpieces, Orpheum-like hardware, and long, Not many were sold and the production run was therefore limited to 2 years. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. J-L. M. N-P. Q-Sch. Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. These were Gibsons first flat-top cutaways. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . The more economical Student Grade instruments were often ladder braced. Factory Order Numbers (FON) in the 2600s to 2700s. They did not imprint the instruments with any particular brand. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. Gibson TP-6 tailpiece became standard. It's always made of hardwood such as ebony and makes up the front-facing top half of the banjo's neck. It was intended to be more affordable and more readily available than its main competition: the Martin D-18. There are no manufacture's labels or stamps on it. It appears that they experimented right up to the point of discontinuing the line. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce By the end in 1985-86, Gibson was basically down to the Les Paul model alone. 156137I know this is a mandolin forum, but the admins suggested I start here. Gold-plated tuning gears, LOTS of abalone inlay. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. The Gibson stamped on tailpiece cover and inlaid in headstock. Never seen one with an inlay on the back of the neck. The back and sides were Brazilian rosewood and the tops Adirondack red spruce. Collector's Corner Some SJNs with plastic Special Bridges. banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. Prairie State instruments have the patented rod and/or tube reinforcing, occasionally found on other Larson built guitars. The top and back bindings were black plastic with red line highlights. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. Inlays and bindings are remarkably consistent through the years. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. These can exist on any model numbers including the A-jr. Gibson They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. The bridge were early simple rectangular with through-saddles. Post war logo, 1947/8 to '60s found on various guitar like Melody Maker, Les Paul Jr, Special, Lg0, Lg2, Sg Jr, Special, ecc, ecc.Note the dot link to G. '70 Gold logo - Decal instead silkscreening. The best way to date Larrive instruments is by the instrument labels. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. The sunburst finish was generally $30 less than natural finish. Here's the photo gallery that I put together:velkdesign.com/assets/banjo/. In 1935, binding was added to the fretboard. They were well suited for orchestral arrangements as well as individual play and accompaniment. teachers who sold them to students, some of which are tagged with the name of Heads have different effects on different kinds of banjos. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. However there were and are many different types, most of which can be found on this page. I removed the resonator today and there is a hand written number 8 and that's it. Headstocks of US models also use the Gibson headstock shape. Why not post a little tune with it. The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. Gretsch used a new serial format showing: Month/Year/Production Number (3-4 digits), stamped as follows: Its not clear whether the 3-4 digit production number is the total production for the month or for the year. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. Carl and August Larson built instruments between 1900 and 1944. Our 19th Year * Sign Up Now Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. Its difficult to positively 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. Edited by - rfvelk on 12/26/2013 17:31:36, Blake507 - Posted-12/26/2013: 22:24:21. These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. It marked the beginning of a new era for Gibson. Cherry Sunburst is still available. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. 615-264-4959. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. These digits should match the 4 digits found on the back of the peghead of your banjo. Ironically, the script logo on the headstock was old-style. The swing distance is important because it dictates how large a turned piece can be on that particular lathe. Some rectangular examples, black bridge pins (2 pearl dots on rectangle bridge), Headstock appointments: gold decal: Only a Gibson is Good Enough banner. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. You may, . These appear to have a unique serial number scheme. Width at nut 1 11/16, scale 24 3/4. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. Sha-Sw. T-V. W-Y. Many banjo manufacturers, in addition to making banjos under their own names, The centerline of the neck had the black inlay. identify the manufacturer of these banjos in many cases, but some identify It was basically a slope shoulder dreadnaught like a J-45 or Southerner Jumbo and designed for the country and western market. thin heel footprints as shown below in the second row of pictures: J. Leland Brilliantone (1910 1918?). In any event, these should be used only as a guide and not assumed to be absolutely correct. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. There are some examples of two piece bodies used with the transparent or natural finishes. It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. 14" resonator on the banjo examined is probably non original (Korean). That way I'll be sure to hear it, since I will get a heads up when you post. The decade following saw a change in finish from varnish to shinier lacquer. in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. serial number impressed to verso, 60 cm long By the records, between 200 and 300 were built. Use them in commercial designs under lifetime, perpetual & worldwide rights. Style Designations (There are many exceptions to the following). The other digits in the serial number can tell you when your banjo was made. The top and back bindings were black plastic with red line highlights. cases they carry no identifying name at all. Rated 5.00 out of 5. The first group in late 1936 had larger soundholes and long scales: 25 1/2. Gibson. What's the history on the this jo, are you the original owner? Some J-45 models with non-bookmatched two piece Adirondack spruce tops and some examples with four piece tops. It will be interesting of one of the BHO members has a vintage Kay catalog with that particular banjo. It might be a Fairbanks or Stewart, but there is no name anywhere on the instrument. The Gibson stamped on tailpiece cover. The individual artist's touch on the . Gold War era logo - This type is called "Banner logo". Most information about Larson Brothers instruments comes from their catalog published around 1930. They were now able to get better materials. Most old Hfners do not have serial numbers. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. By 1941, either natural or sunburst were available. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. It's difficult to positively identify the manufacturer of these . Find the worth of your vintage banjo from 1920s to 1970s. The Gibson Super Jumbo first appeared in 1937. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. Hand Engraving. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. Sounds great and the instrument is very easy to play. "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. There were 5226 made. RRRR = Ranking number (may be more or less digits) Example: 3021234 = Samick Korea / 1993 / February / unit 1234. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. In fact, he was part of a team of scientists paid as consultants by Gibson for their input on a project to create the finest sounding guitar based upon sound scientific logic, theory and research. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. Identify vintage banjo fleur de lis inlays on headstock & carved heel . Labels say: A. 2 foot pressed arm rest and flat head tone ring. Modern Gibson Logo open "b" and "o". feature both a serial number and a FON. Body designation Style designation, Serial number. purchase these instruments and put their own names on them, but in many other The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). C-series Factory location: Hinsdale, New Hampshire from 1973 to 1979, D-series Factory location: West Sansei, New Hampshire from 1980 to 1981, The designation S refers to the body size: 2 & 3 (increasing with number value). This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. The current bridge height and neck angle was reached around 1910. The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. The bridge was a small rectangular block type with a through saddle. better-grade offerings frequently had notched, rather than grooved stretcher After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). A-3s had refrigerator white tops with a black perfling line, adjustable truss rods and adjustable bridges. During the Folk Boom of the 1960s, Gretsch produced a line of 5 string open back banjos with regular and long necks. Made in USA. Example of custom shape is well represented below with the "Tennessee Banjo". Approximate Chronology (there are always exceptions): There were a few natural finished J-45N models made during 1942. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. Headstocks say LoPrinzi. themselves through common hardware and design characteristics. This is the smallest model, chrome tuners. There's a small snag in the outer pocket webbing - otherwise it's like new. To accommodate the pickup, the standard production neck was pushed up to a neck-body joint at the 15th fret. If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! beautiful banjo. Mismanagement was so severe during the final Norlin years that the Gibson Guitar Corp. was within 3 months of going out of business when it was bought by young Harvard Business grads: Henry E. Juszkiewicz, David H. Berryman and Gary A. Zebrowski in January of 1986. This was adapted to the mandolin over the next few years. Music Love. . In the early years, due to the depression and the following wartime austerity, demand for this expensive instrument was limited and production quantities were small. Though you were told there was only12 of this model made, it will not be any more valuable than if there 10,000 made. There is a Kay company logo on the headstock but absolutely no other identifying marks. As a vintage instrument dealer, I see no collectors market for banjos like yours. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. They are very pricy at over $20.00 each, but worth it if you want . At the time, the Nick Lucas model was the largest flat-top Gibson offered. The selected tuners varied randomly by model and year. Neck: mahogany single piece. The fingerboard was rosewood with 9 inlaid position markers. peghead shape. The headstock shape is very similar and it has the hexnut . In some cases, teachers would World War II changed many aspects of the guitar world. The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. Good size logs of spruce were government controlled during the war and were not easily available shortly after. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . S3M, Size 3 guitar with mahogany back & sides. Most Start your day off right, with a Dayspring Coffee Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts.

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