Study for free with our range of university lectures! An ancient Greek poet. In other words, had Sappho only mentioned her physical symptoms of passion then the impact of her situation would have been less ‘sad’ for the audience (Furley p. 14). In other words, Sappho sounds as if she loves the girl, and the poem gives the impression that the girl is not particularly interested in Sappho at that time, the man however, rejoices in the girl’s laughter and converse. The poem is also known as phainetai moi (φαίνεταί μοι) after the opening words of its first line. If you need assistance with writing your essay, our professional essay writing service is here to help! In other words, Page has to take more distance from his own preconceptions in order to analyze the poem in a more objective way.

This also makes Page’s argument of ‘human nature’s reaction’ not very solid with it only being there to make his interpretation fit the text. Sappho was an Archaic Greek poet from the island of Lesbos. Consequently, I tend to favor Furley’s argumentation, because he tries to explain the role of ‘that man’ on a more detailed compositional level for it being a rhetorical device. Thus, this use of more personal language strengthens Sappho’s description of her emotions, relating back to the ‘passion of love’ Sappho has for the girl, and resulting in jealousy of ‘that man’. E.g. Reportedly bisexual and had relationships with men and women throughout her life. The second stanza’ description of her symptoms of infatuation which reveal passionate love are well understood by scholars. It is one of Sappho's most famous poems, describing her love for a young woman. No plagiarism, guaranteed! Page’s reasoning can be considered as being too focused on the ‘jealousy hypothesis’, consequently it seems as if he cannot see the bigger picture of the poem anymore. Overall, the presence of “that man helps Sappho’s dramatization of the effect of a loved girl’s beauty to serve both Sappho’s sensitivity and intensity of her passion (Furley p. 15)”. . In my opinion, Page seems to draw a quick conclusion on information that is not clearly present in the poem’s text. Page recognizes that the man is the principle subject of the first stanza, and he interprets this by saying “if Sappho wishes to describe nothing more than the symptoms of her passion for the girl, what motive could she have for connecting that description thus closely to an occasion when the girl is engaged in merry conversation with a man (Page p. 28)”. *You can also browse our support articles here >. Jealousy of a rival is never specifically stated in the poem which makes it also difficult to understand how Page later on in his article could refute Wilamowitz’s interpretation of a wedding scene, because not one single word suggests a marriage, while both hypotheses (marriage and jealousy) encounter the same difficulty: there is no clear evidence of it in the poem. Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of UKEssays.com. With this argumentation, Page concludes that Sappho has to be jealous of the man, because according to human nature, people have to respond like this in this kind of described situation (Page p. 28).

In other words, using the epic expression, ‘only a god would not fall helplessly in love with the girl (Furley p. 13)’. Last time, she recalls, the goddess descended in a chariot drawn by birds, and, … the man who is enjoying her affection is simply extremely blessed (‘like the gods’), thus, no jealousy theme is incorporated. As a result, Furley’s ‘normal love’ situation also appears to be more plausible. In the poem, Sappho watches a man’s reaction to her beloved and admires his self-control which is … But women were clearly her main objects of affection; From her, we get the word "sapphic", … We're here to answer any questions you have about our services. Copyright © 2003 - 2020 - UKEssays is a trading name of All Answers Ltd, a company registered in England and Wales.

He elaborates on this by comparing Homeric Epic emotions (fear, anger, sorrow, pain) with Sappho’s more personal ones, explaining this by stating that Homeric emotions are often “assimilated in Epic dialect and style, while Sappho’s vernacular resists those influences, thus her language is her own (Page p. 29)”. Consequently, Page’s reasoning continues that the occasion must have had some significance which, according to him, makes it impossible to exclude jealousy from Sappho’s response (Page p. 28).

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