A.B. [20] Burkert notices the similarity with the myth of Athena Polias and Erechtheus in Athens. [4] A.B.

In Euripides' tragedy Antiope they contrasted in debate their active and contemplative lives.[13]. It is believed that descendants of Francois Boucher had earlier owned the piece and eventually decided to donate it to this institution. The reclining naked figure was interpreted as a Venus. When he began painting around 1600, Hendrik Goltzius was already the most famous engraver in the Netherlands and perhaps all of Europe. One of the purposes of the restoration work was to actually allow the public to appreciate a small sketch that was completed on the reverse of this painting.

They were about to obey, when the old herdsman, who had brought them up, revealed his secret, and they carried out the punishment on Dirce instead, for cruel treatment of Antiope, their mother, who had been treated by Dirce as a slave. [13] Together they built and fortified Thebes, huge blocks of stone forming themselves into walls at the sound of Amphion's lyre.

They are based on the story of the seduction of Antiope by the god Zeus in Greek mythology, later imported into Roman mythology and told of the god Jupiter. [22] Other twins of similar dual parentage are the Greek Dioscuri who often appear as snakes, protecting the temples. [6] After this she was carried off by Epopeus, who was venerated as a hero in Sicyon;[7] he would not give her up till compelled by her uncle Lycus. Annibale Carracci. Amphion married Niobe, and killed himself after the loss of his wife and children. Her beauty attracted Zeus, who, assuming the form of a satyr, took her by force. Specialists on artist David have claimed it to be of particular importance than both sides of this canvas are preserved and studied in equal measure because they both allow us to learn more about the working processes of this young artist, just as he was beginning to develop technically. The modern comprehensive reconstruction of all the fragments is that of Jean Kambitsis, ed. Jupiter and Antiope. Jupiter and Antiope is an early work by Van Dyck and one of his few mythological paintings. The National Gallery has endeavoured to make as many images of the collection as possible available for non-commercial use.

[6] For Greeks of the Classical age, the contrast between the lifestyles of the two became the most salient element in the narrative; in Euripides' Antiope the best-recalled scene was where the two brothers in debate contrasted their active and contemplative lives. It is a small painted sketch of a maid or other domestic worker and is rumoured to have been inspired by the work of Chardin (see Saying Grace, as an example), who himself was connected to Boucher as well. Here she was discovered by Dirce, who had come to celebrate a Bacchic festival; she ordered the two young men to tie Antiope to the horns of a wild bull. [24] Her sons Cadmus and Danaos returned to Greece, where they became kings of Thebes and Argos.

In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. At Sicyon, Antiope was important enough that a chryselephantine cult image was created of her and set up in the temple of Aphrodite. Location: Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany.

In 1890 Flinders Petrie discovered further papyrus fragments, which had been reused in constructing a 3rd-century BCE Ptolemaic mummy case found in the Fayoum; the palaeography suggested that the scroll was old before it was reused as waste, making these fragments the earliest surviving text of any Greek play;[18] the discovery occasioned a rash of new readings of the existing fragments.

[19] The myth took a Dionysiac colour because Zeus was transformed into a satyr in a sole mythic event[clarification needed] and Antiope into a maenad. She was the mother of Amphion and Zethus. He would only have been in his early twenties at that point. At Thebes Antiope now suffered from the persecution of Dirce, the wife of Lycus, but at last escaped towards Eleutherae, and there found shelter, unknowingly, in the house where her two sons were living as herdsmen. The brothers were buried in one grave. That may have reminded himself of how he and his master, Boucher, could not see eye to eye on stylistic decisions, and so had to part ways even though they held a deep respect for each other. In fact the flaming torch placed between Cupid (Eros) and the sleeping woman is an attribute of Venus, the goddess of love. Jupiter and Antiope. Vibrant colours and bold, sculptural forms increase the drama of the scene. Efforts have been made in recent years to actually restore the piece to its former glory and it remains one of the highlights to be found in the Museum. However, an image of this painting is not available to download. [23] Amphion, the founder of Thebes, became a great singer and musician with a golden lyre, and huge blocks of stone formed themselves into the walls of Thebes, the city with the seven gates.

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