She rarely played a wife. The luminous star of Mr. Smith Goes to Washington, Shane, and other classic films was, as the subtitle aptly puts it, "the actress nobody knew. "[24], Following a role in Halfway to Heaven (1929) opposite popular actor Charles "Buddy" Rogers (of which Variety opined that her career could be heading somewhere if she acquired more sex appeal),[24] Selznick assigned her to play William Powell's wife in Street of Chance (1930).
She was one of the best actresses working in the genres of the screwball and romantic comedies of the '30s and '40s: wonderful in films such as "The Whole Town's Talking" (1935), "Mr. [40] In 1936 alone, she earned $119,000, more than the President of the United States and baseball player Lou Gehrig. "[16] Fed up with the direction that her career was taking, Arthur expressed her desire for a big break in an interview at the time. There are no discussion topics on this book yet. Despite lacking the required talent, Arthur liked acting, which she perceived as an "outlet". I added this to my Missouri bookshelf because she spent some time at Stephens College in Columbia, MO. She wants the man, but not the picket fence. The play went on with Jane Alexander playing the role intended for Arthur.
She was one of the best actresses working in the genres of the screwball and romantic comedies of the '30s and '40s: wonderful in films such as "The Whole Town's Talking" (1935), "Mr. [40] In 1936 alone, she earned $119,000, more than the President of the United States and baseball player Lou Gehrig. "[16] Fed up with the direction that her career was taking, Arthur expressed her desire for a big break in an interview at the time. There are no discussion topics on this book yet. Despite lacking the required talent, Arthur liked acting, which she perceived as an "outlet". I added this to my Missouri bookshelf because she spent some time at Stephens College in Columbia, MO. She wants the man, but not the picket fence. The play went on with Jane Alexander playing the role intended for Arthur.
She was one of the best actresses working in the genres of the screwball and romantic comedies of the '30s and '40s: wonderful in films such as "The Whole Town's Talking" (1935), "Mr. [40] In 1936 alone, she earned $119,000, more than the President of the United States and baseball player Lou Gehrig. "[16] Fed up with the direction that her career was taking, Arthur expressed her desire for a big break in an interview at the time. There are no discussion topics on this book yet. Despite lacking the required talent, Arthur liked acting, which she perceived as an "outlet". I added this to my Missouri bookshelf because she spent some time at Stephens College in Columbia, MO. She wants the man, but not the picket fence. The play went on with Jane Alexander playing the role intended for Arthur.
She was one of the best actresses working in the genres of the screwball and romantic comedies of the '30s and '40s: wonderful in films such as "The Whole Town's Talking" (1935), "Mr. [40] In 1936 alone, she earned $119,000, more than the President of the United States and baseball player Lou Gehrig. "[16] Fed up with the direction that her career was taking, Arthur expressed her desire for a big break in an interview at the time. There are no discussion topics on this book yet. Despite lacking the required talent, Arthur liked acting, which she perceived as an "outlet". I added this to my Missouri bookshelf because she spent some time at Stephens College in Columbia, MO. She wants the man, but not the picket fence. The play went on with Jane Alexander playing the role intended for Arthur.
It was her distinctive, throaty voice – in addition to some stage training on Broadway in the early 1930s – that eventually helped make her a star in the talkies. Simultaneously.
Slowly, with a dawning sense of horror and confusion, she realizes her bedroom wall has been knocked down. Similar to her two-time co-star Cary Grant (Only Angels Have Wings, Talk of the Town), it is difficult to imagine Jean Arthur’s characters satisfied in a cozy domestic setting. Both her father (at age 55, claiming to be 45) and siblings registered for the draft. She followed this with another screwball comedy, Capra's You Can't Take It with You, which teamed her with James Stewart. Running water was nowhere to be found, and even outhouses were a luxury not always present. She was known for maneuvering to be photographed and filmed almost exclusively from the left; Arthur felt that her left was her best side, and worked hard to keep it in the fore. In 1965, she returned to show business in an episode of Gunsmoke. This biography details just how strange of a character she was. On May 2, 2015, the city of Plattsburgh, New York, honored her with a plaque in front of the house where she was born (94 Oak Street). [24] By 1930, her relationship with Selznick had ended, causing her career at Paramount to slip.
1900 US Census, Plattsburgh, New York; and 1910 US Census, Cumberland, Maine. I don't expect anything. The final moment of The More the Merrier is a horse of an entirely different color. She gives as good as she gets (and what she gives is better). Edward G. Robinson, who acted with her in John Ford’s The Whole Town’s Talking, may have put it best in his memoir: Jean Arthur had “a voice that grated like fresh peppermint.” Such a distinct voice had its drawbacks at first. In my youthful naivete, seeing that nobody seemed interested in the project, I thought about taking on the job myself. "[14] The films were moderately successful in second-rate Midwestern theaters, though Arthur received no official attention. she was an alcoholic and a recluse. Quotes [In 1940] Those two and a half years on Broadway were the happiest years of my life. She rarely played a wife. The luminous star of Mr. Smith Goes to Washington, Shane, and other classic films was, as the subtitle aptly puts it, "the actress nobody knew. "[24], Following a role in Halfway to Heaven (1929) opposite popular actor Charles "Buddy" Rogers (of which Variety opined that her career could be heading somewhere if she acquired more sex appeal),[24] Selznick assigned her to play William Powell's wife in Street of Chance (1930).
She was one of the best actresses working in the genres of the screwball and romantic comedies of the '30s and '40s: wonderful in films such as "The Whole Town's Talking" (1935), "Mr. [40] In 1936 alone, she earned $119,000, more than the President of the United States and baseball player Lou Gehrig. "[16] Fed up with the direction that her career was taking, Arthur expressed her desire for a big break in an interview at the time. There are no discussion topics on this book yet. Despite lacking the required talent, Arthur liked acting, which she perceived as an "outlet". I added this to my Missouri bookshelf because she spent some time at Stephens College in Columbia, MO. She wants the man, but not the picket fence. The play went on with Jane Alexander playing the role intended for Arthur.
To quote Frank Capra, who cast her three times (Mr.