[26], The lyrics are "a good-natured takeoff on a bit of pseudoclassical mythology". Composed by John Stafford Smith, the tune was later used by several writers as a setting for their patriotic lyrics. Like Stevens himself, Smith was a young professional musician active primarily in the chapels and churches of London. The best evidence we have for a claim of authorship occurs in his Fifth Book of Canzonets (1799),[12] which included an arrangement of the Anacreontic Song with the ambiguous notation "harmonized by the Author". Lichtenwanger suggests a composition date as late as 1776;[17] but if the Marsh journal is accurate then the Song must have existed by December 1773. This move took place under Ralph Tomlinson's presidency. [Library of Congress music librarian Richard S. Hill (1901-1961)] did not accept the alleged claim of the Fifth Book, nor did he believe that any composer alive could have failed to identify himself at some point with a tune that became so popular in Britain and America, latterly in a way completely unforeseen. In keeping with Greek poetic tradition, his poetry relied on meter for its construction. John Marsh records that he attended a meeting of the Anacreontic Society at the London Coffee House. [22] The music, along with the words, was published in The Vocal Enchantress, a collection published in 1783. Anacreon ((570 BC – 488 BC) was a Greek lyric poet, notable for his drinking songs and hymns. [33] The setting of new lyrics to an existing tune is called a contrafactum.[34]. The identity of the composer was a subject of controversy until the discovery, in the mid-twentieth century, of a passage in a then-unpublished manuscript of Recollections written by Richard John Samuel Stevens (1757-1837), a member of the Anacreontic Society. Anacreon wrote all of his poetry in the ancient Ionic dialect. An early reference to the Anacreontic Song is found in the long-unpublished journals of gentleman-composer John Marsh (1752-1828). In this passage, Stevens identified the composer as John Stafford Smith (1750-1836). There is no comment submitted by members.. © Poems are the property of their respective owners. Particular interest attaches to the first Longman & Broderip edition of the music, published between 1777 and 1781. 'Behold,' the pretty wantons cry,'Behold this mirror with a sigh;... more », When I see the young men play,Young methinks I am as they;And my aged thoughts laid by,To the dance with joy I fly:... more », Here recline you, gentle maid,Sweet is this imbowering shade;Sweet the young, the modest trees,Ruffled by the kissing breeze;... more », Who his cups can stoutly bear,In his cups despiseth fear,In his cups can nimbly dance,Him Lyæus will advance:... more », Bring me hither Homer's lute,Taught with mirth (not wars) to suit;Reach a full cup, that I mayAll the laws of wine obey,Drink, and dance, and to the lyreSing what Bacchus shall inspire.... more », Pleasant 'tis abroad to strayThro' the meadow deep in hay,Where soft zephyrs, breathing low,Odorous sweets around us throw:... more », In a dream unto me cameAnacreon, of Teian fame.He accosted me, and IRan up to him lovingly,... more ». Later Greeks included him in the canonical list of nine lyric poets.

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